SPIDER MOTHER

SPIDER MOTHER

“Dunklin describes the title SPIDER MOTHER as a "loose interpretation of arachnoid mater, the Latin name of one of three protective layers surrounding the brain. The arachnoid mater is a relatively open space with the exception of a web-like meshing that fills with cerebrospinal fluid to cushion the brain. In 2017, I underwent medical testing and hospitalization for a rare, debilitating neurological disease called HaNDL that causes a buildup of fluid around the brain, resulting in intense pressure." As a result of his medical experience, and after experimenting with the materials, Dunklin began production of the vessel series. He designed the exhibition for an enhanced, multi-sensory experience using light from projectors and speakers placed discreetly in the corners of the gallery space. Placing them low enough to the floor, the speakers enable sound from the audio track of original recordings to emanate from the objects themselves. Further, the audio track personifies the spider mother herself by echoing distantly, as if singing a lullaby nearby. By placing the installation vessels on the floor of the gallery, the artist intercepts familiar navigation by creating an unfamiliar environment. These vessels retain the eerie essence of a skull cap, or spider abdomen. In this context, the skull cap castings appear as hatchlings from which the mother spider's babies have emerged to be nurtured in an imagined adjacent nursery. Thus, instead of being designed to catch prey, Dunklin invites the viewer to an immersive and visually nurturing experience in the tangled web of waxed vessels.”

- Kathrine Page, Gretchen Hupfel Curator of Contemporary Art, The Delaware Contemporary